ftm Radio Page - November 2, 2012
Broadcast licensing, for some, is a license to make money. Broadcasters have long railed against so called beauty contests for new or renewal concessions with onerous public service commitments plus technical and even financial requirements. Some regulators have agreed to make it simple and hold auctions. Sometimes it doesn’t work out.
“Crazy” rights fees challenged
nobody but nobody
After winning concessions on football stadium rights, it was only a matter of time before Spain’s commercial radio broadcasters turned their attention to music rights. Following its annual general assembly commercial broadcasters association AERC complained that music and performance rights collectors have “a strategy” of seeking to replace revenues lost through internet piracy by charging “exorbitant amounts broadcasters are unable to pay,” reported El Mundo (October 31). Rights agents are asking increases between 70% and 200%, which the AERC called “crazy.”
The AERC is asking public broadcaster RTVE, commercial broadcasters and publishers to join the fray for rights fees “better adjusted to reality.” Spanish public broadcasters have already negotiated discounted music rights fees separate from commercial broadcasters. (See more on intellectual property rights here)
“The issue is similar to football because we found that music without radio…turns singers into nobodys,” said AERC president and Cadena COPE CEO Rafael Pérez del Puerto. (JMH)
Broadcaster reviews radio ahead of digital switch
“new ideas”
Norway’s public broadcaster NRK is in the midst of a strategic review of its radio channels. Like any big broadcaster – NRK’s radio market share is about 65% - a fair amount of market research is going into the process. This strategic may result in new radio channels, perhaps a old one.
“We are in a continuous process and working with many new ideas,” said NRK radio director Marius Lillelien, quoted by Aftenposten (October 23). “We have not yet concluded what we should make of the new channels.” (See more on media in Norway here)
As part of the strategic review, NRK has been conducting town meetings across Norway. One new channel considered, suggests Afterposten, would be for older listeners, positioned between culture channel P2 – “too heavy” – pop music channel P3.
“Any new channels must also be weighed against the availability of resources within the NRK,” said Mr. Lillelien. “The point is that there are content areas that that we can solve even better, more than age-related defined channels.”
Radio in Norway will step into digital transition as national channels, public and private, leave analogue FM for digital DAB in 2017. NRK operates three national channels yet on FM and several digital-only channels. (JMH)
Radio Page week ending October 26, 2012
radio in the UK, digital radio, DAB, BBC Radio 1, Kiss 100, 6Music
Radio Page week ending October 19, 2012
digital radio, DAB, EBU, Eurochip, radio in the UK, OFCOM, radio in Norway, smartphone apps, P4, MTG
Radio Page week ending October 12, 2012
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Radio Page week ending October 5, 2012
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Radio Page week ending September 28, 2012
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Radio Page week ending September 21, 2012
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Radio Page week ending September 14, 2012
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Radio Page week ending July 6, 2012
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Radio Page week ending May 18, 2012
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Recently added radio audience figures and resources
- Norway - Major Media - Radio Broadcasting (08/11/2012)
public and private radio channels, management, platforms, market share
- UK - National Radio Audience (25/10/2012)
market share, trend, sectors
- UK - London Radio Audience (25/10/2012)
market share, trend
- UK - National Radio Audience (25/10/2012)
BBC/commercial 'gap'
- Italy - Major Media - Radio (20/08/2012)
public and private broadcasting companies, channels, audience share, management
- France - Greater Paris Radio Audience (26/07/2012)
national and local channels, market share, trend
- France - National Radio Audience (19/07/2012)
national channels, sectors, market share, reach/TSL
- Germany - Radio Audience (19/07/2012)
leading stations, audience trend, daily reach
- Greece - Major Media - Radio Broadcasting (11/05/2012
public and private broadcasting, owners, managers, market share, platforms
- France - Greater Paris Radio Audience (26/04/2012)
national and local channels, market share, trend
- Spain - National Radio Audience (13/04/2012)
national channels, reach share, trend
- Portugal - Major Media - Radio (08/03/2012)
public and private broadcasting companies, channels, management, platforms
- Portugal - National Radio Audience (18/02/2012)
leading stations, audience share, trend
- Switzerland - French region Radio Audience (25/01/2012)
share, trend
- Switzerland - Swiss-German region Radio Audience (25/01/2012)
share, trend
- Switzerland - Italian region Radio Audience (25/01/2012)
share, trend
- Russian Federation - Major Media - Private Radio (13/01/2012)
Private sector radio broadcasters, owners, management, audience trend
- Russian Federation - Major Media - State/Government Radio (13/01/2012)
State and government radio broadcasters, owners, management, audience trend
- Russian Federation - Moscow Radio Audience (30/12/2011)
average quarter hour share, trend
Also see ftm Knowledge
Digital Radio - Possibilities and Probabilities
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Eastern Europe’s radio writes new rules. In fact, most everything about radio in this region is new... and changes often. The ftm Knowledge file reports on Belarus, Bulgaria, Czech Republic, Hungary, Moldova, Poland, Romania, Russia, Slovakia and Ukraine. 102 pages PDF (June 2011)
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Northern Europe’s radio has a very digital sound. And change is in the air. Economic challenges abound for both public and commercial broadcasters. The ftm Knowledge file reports on Denmark, Estonia, Finland, Iceland, Ireland, Latvia, Lithuania, Norway, Sweden and the UK. 101 pages PDF includes Resources (February 2011)
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The Six Radio Brands is about the uniquely European development of radio brands. Competition among broadcasters - and certainly between the public and commercial sectors - gives radio in Europe a rich dynamic. As consumers become more media-literate and demand more attachment broadcasters find target markets illusive.
Regulators, advertisers and broadcasters take turns trying to influence radio brands. Culture and technology makes an impact. More and more, the greatest influence comes from consumers.
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