ftm Radio Page - February 7, 2014

In The Numbers

Listening Rises As Boring Stations Lose
The audience chooses favorites. Sometimes new favorites get the nod, if they’re easy to find. Otherwise, people keep coming back to the best known brands though they hate being bored. You can’t outsmart them.

Radio to make heads spin
Inventing a world

Radio drama is not, necessarily, a dark art. But with spring many weeks away and nights in the Northern Hemisphere cold and, well, dark, there are great stories to tell. Public broadcasters in Spain and the UK have recently adapted scary stories from the big screen for the biggest canvas.

Spanish public broadcaster RNE adapted for radio Ridley Scott’s dystopian thriller “Blade Runner”, itself an adaptation of Philip K. Dick’s novel “Do Androids Dream of Electric Sheep?”. It’s a tough story to adapt for radio, largely because the well-known film version used little dialogue.

“You have to invent a world that does not exist from the point of view of sound,” said producer Benigno Moreno to El Mundo (January 28). “We chose Blade Runner because it’s about a world virtually destroyed and lonely, where replicants are almost more human than human.” RNE Radio 3 broadcast the production live with encores on Radio Nacional planned.

“Only using sound may seem like a disadvantage but actually it’s an advantage because the listener imagines a series of universes,” said Mayca Aguilera, director of the production. Previously RNE has adapted for radio Psycho, The Life of Brian and Dracula. The next project for RNE is adapting Shakespeare’s “Much Ado About Nothing.”

At the end of February BBC Radio 4 will broadcast on two consecutive nights one of the scariest stories ever, a radio adaptation of The Exorcist. The 1973 film by William Friedkin, adapted from William Peter Blatty’s novel, was once banned in parts of the UK.

“In the book there is some doubt about whether Regan's head turns around or not,” said producer/director Gaynor Macfarlane to The Observer (February 2), referring to Linda Blair’s scariest scene in the film. “Our version may not have these filmic tricks, but it has a gradual, creeping, perhaps more toxic horror. You feel tainted by hearing it.” (JMH)

Radio Page week ending January 31, 2014
radio in Germany, digital radio, BR Klassik, BR Puls

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Recently added radio audience figures and resources

• UK - National Radio Audience (February 2014)
  market share, trend, sectors
• UK - London Radio Audience (February 2014)
  market share, trend
• UK - National Radio Audience (February 2014)
  BBC/commercial 'gap'
• France - Greater Paris Radio Audience (January 2014)
  national and local channels, market share, trend
• Switzerland - Radio listening by region (January 2014)
  public and private sectors, penetration, time spent listening
• Switzerland - French region Radio Audience (January 2014)
  share, trend
• Switzerland - Swiss-German region Radio Audience (January 2014)
  share, trend
• Switzerland - Italian region Radio Audience (January 2014)
  share, trend
• Bulgaria - Major Media - Radio Broadcasting (12/12/2013)
  public and private radio channels, management, platforms, market share
• France - National Radio Summer Audience (03/10/2013)
  national channels, summer period 2008-2013 trend
• Austria - Major Media - Radio Broadcasting (09/09/2013)
  public and private broadcasters, owners, management, audience trend
• Belgium - Major Media - Radio Broadcasting (French region) (28/08/2013)
  Wallonia region, radio broadcasters, public, private, owners, platforms, audience trend
• Belgium - Major Media - Radio Broadcasting (Flemish region) (28/08/2013)
  Flemish region, radio broadcasters, public, private, owners, platforms, audience trend
• Turkey - Major Media - Radio broadcasting (15/08/2013)
  ownership, management, program formats, platforms

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