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ftm Radio Page - week ending May 20, 2022

Real Broadcasters Prefer YouTube, Digital Flutter Everywhere

very graphicChallenged by recent events, audience measurement providers have had to adapt. Some shutdown completely as specialists sorted out new data collection solutions. Measurement users, broadcasters and media buyers, continue adapting under the crush on new digital media. The rise of subscription-funded media has raised more questions about the future of audience measurement.

UK radio measurement provider RAJAR this week (May 17) released first quarter 2022 radio listening estimates for the period ending April 3. It is the third quarterly report following more than a years’ coronavirus hiatus. Total estimated radio reach in the period grew to about 49.7 million persons 15 years and older from 48.9 million in the last reported like period two years on. The estimated aggregate share for public broadcaster BBC channels is 49.2% compared with the commercial radio aggregate share of 48.4%. The oft-reported “gap” is the smallest in forever, 0.8%. (See more about media in the UK here)

In the national rankings of individual channels very little change has taken place. BBC Radio 2, a contemporary music channel, remained at the top of the list with 15.9% share. News and talk BBC Radio 4 held second place with 11.9% share. The commercial radio Heart franchise, owned by Global, remains in third place, on aggregate, with its adult contemporary music format. Several of its brand extensions, including Heart Dance, showed forward movement.

BBC Radio 1, often referred to as a “youth” channel, ranked fourth nationally, 4.7% share. Branding for the channel has been in constant uproar, many changes, including personnel. “In a quarter where lockdown caused serious disruption to people’s lives, it’s good to see the strategy we’ve developed at Radio 1 is working, with a strong connection with young audiences across radio, YouTube, iPlayer and socials,” offered Radio 1 head Aled Haydn Jones in a statement, quoted by UK radio trade portal Radio Today (May 19). Current strategy, generally, favors more brand engagement over chasing audience share. (See more about the BBC here)

Global’s Classic FM was stable at 5th in the ranking, 4.4% share. The channel is famous for playing snippets of classical music favorites. Best not tell the newspaper publishers. The Smooth background music franchise, owned by Global, placed 6th with an aggregate 3.7% share. New brand extension Smooth Country showed a bump. BBC sports talk channel Five Live placed 7th.

Global is “thrilled” with talk channel LBC “as it approaches it's fifteenth year,” said Director of Content James Rea in a statement. LBC placing 8th with noticeable bump to 3.1% share. Brand extension LBC News is further down the list. The BBC is also thrilled with alternative music channel 6Music, ranked 9th with a quite noticeable bump to 2.8% share. “How better to celebrate the 20th anniversary of the much loved BBC Radio 6 Music than with these figures,” exclaimed BBC Chief content Officer Charlotte Moore, in a statement. They really illustrate the unique place that the station has in its listeners’ lives, with its eclectic schedule and specialist, passionate DJs who day in day out champion music.”

Beyond the top ten nationally, with a few exceptions, the rest of the list is mostly made up of digital flutter, niché channels and brand extensions mostly used to entice media buyers. A major exception is the KISS brand, operated by Bauer Media Audio UK which has fallen across its various brand extensions. Bauer Media Audio, subsidiary of German publisher Bauer Media, has been a prolific developer of brand extensions; the Absolute Radio and The Hits brands.

Many UK radio observers felt compelled to note the rise of various commercial news and talk channels. Certainly LBC and LBC News bumped up but so did TalkRadio, TalkSport and Times Radio from News UK, subsidiary of News Corporation, principally owned by the Murdoch family. Also making an appearance in the national radio list is GB News, the radio simulcast of the TV channel with the same name. It received considerable attention when it took to the airwaves, mostly for a series of flubs.

Audio fans with mobile phones targeted by publishers
"many similarities"

Publishers everywhere have grown attached to audio, from e-books to podcasts. It’s part of the next wave of digital shift and has everything to do with ubiquitous mobile phones. The typical target is Zoomers, formerly known as GenZ, with little or no enthusiasm for reading. But, because of Netflix, they understand subscriptions, making them a very attractive target for publishers.

Entering the Dutch streaming audio realm in mid-June is a publishing venture powered by Norwegian platform provider Beat Technologies. The Dutch product as been named Fluister - Dutch for Whisperer. Quite clever name, actually. Local partners include publisher DPG Media, broadcaster Veronica and the Libris NL bookstore chain. (See more about media in the Netherlands here)

“There’s a huge appetite in the Netherlands for consuming books digitally,” said newly named Fluister managing director Josja Zijlstra in a statement. “We wanted a Dutch service founded by the Dutch industry. But until now there hasn’t been a model that was fair to the publishers, nor (able to) receive user-habit data.” Like other streaming platforms Fluister will offer recommendations from authors and booksellers. More information will come in an ad campaign, after which the paywall kicks in. (See more about streaming media here)

“In the world of podcasts, there has been talk for a long time that this was coming,” said noted Dutch podcast producer Elger van der Wel, quoted by Villamedia NL (May 13). “For many people it takes some getting used to that more and more podcasts are becoming part of a subscription, but if we make a comparison with films on streaming services such as Netflix and HBO Max, we find that there are many similarities.”

Beat Technologies roster of audio platforms include Chapter in Denmark, Skoobe in Germany, Jukebooks in Greece, Fable in Norway and Audiotribe in Romania.


Radio Page week ending May 13, 2022
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Radio Page week ending May 6, 2022
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Radio Page week ending April 29, 2022
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Radio Page week ending April 22, 2022
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Radio Page week ending April 15, 2022
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Radio Page week ending April 8, 2022
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Radio Page week ending April 1, 2022
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Radio Page week ending March 25, 2022
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Radio Page week ending March 18, 2022
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Radio Page week ending March 11, 2022
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Radio Page week ending February 25, 2022
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Radio Page week ending February 18, 2022
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Radio Page week ending February 11, 2022
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Radio Page week ending February 4, 2022
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Radio Page week ending January 28, 2022
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Radio Page week ending January 21, 2022
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Radio Page week ending January 14, 2022
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Radio Page week ending January 7, 2022
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Radio Page week ending December 10, 2021
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Radio Page week ending December 3, 2021
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Radio Page week ending November 26, 2021
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Radio Page week ending November 19, 2021
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Radio Page week ending November 12, 2021
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Radio Page week ending November 5, 2021
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Radio Page week ending October 29, 2021
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Radio Page week ending October 15, 2021
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Radio Page week ending October 8, 2021
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Radio Page week ending October 1, 2021
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Radio Page week ending September 17, 2021
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Radio Page week ending September 10, 2021
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Radio Page week ending August 6, 2021
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Radio Page week ending July 30, 2021
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Radio Page week ending July 16, 2021
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Radio Page week ending July 9, 2021
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