ftm Radio Page - April 8, 2016
Broadcasters take charge of audience measurement
“all transmitted platforms”
Italian radio broadcasters have a new organization to undertake audience measurement. This has been a major undertaking since AudiRadio, the last joint industry group, went away in 2011. The GfK RadioMonitor has provided irregular national audience measurement.
The new company Tavolo Editori Radio was incorporated in Milan last week, a board named and general particulars enumerated. RAI Radio director Nicola Sinisi was named chairman. The company aims to “achieve from 2017 an objective and unbiased proprietary research system to measure listening to radio and radio stations, with all their technological and territorial features, on all transmitted platforms,” said the statement, quoted by primaonline.it (April 5). (See more about media measurement here)
Sometime this year prospective suppliers will be invited to bid their services. Tavolo Editori Radio shareholders include most national radio broadcasters and the association of local broadcasters. On the sidelines, so far, are advertisers and media buyers.
Local station to close under market, regulation pressure
“with great regret”
Laments have been written in Ireland about the imminent closure of Dublin alternative rock station TXFM. The owners recently announced they would not be asking for a license renewal, effectively putting the station off the air in October. Other potential operators have hesitated.
“The news of the closure should serve as a stark reminder of the challenges of operating in the Irish media market and the very thin margins between commercial viability and closure,” said commercial broadcaster association Independent Broadcasters of Ireland (IBI) chairman John Purcell in a statement, quoted by Radio Today Ireland (March 31). “The incoming Government must act to introduce sensible reforms that will secure the future of all broadcasters. Although Independent Radio commands almost 70% market share of Irish radio listening, policy makers tend to be almost entirely pre-occupied with the welfare of (public broadcaster) RTÉ. The closure of TXFM is a sad reminder of the cost on jobs in sector and choice and service for listeners of this negligent attitude towards policy making.”
TXFM came into being two years ago, March 2014, as principal owner Communicorp rebranded former alternative music pirate station Phantom. “It is with great regret that we have come to this decision,” said Communicorp chief executive Gervaise Slowey, quoted by Irish Times (March 30), “however despite a recent rebranding and a restructuring of the business, it has not been possible to make the station commercially viable.”
The Broadcasting Authority of Ireland (BAI) contracts with commercial radio operators for rather tightly defined licenses. The TXFM license is for “Music-driven (Alternative Rock)” for “Dublin County and City” targeting “18 to 34 year olds,” noted on the BAI website. Competing in the Dublin market are eight local stations plus five national channels, three public and two commercial. In the Q4 2015 JNLR/Ipsos MRBI audience estimates TXFM posted a 2% share for the 15+ Dublin audience.
Local commercial radio stations - everywhere - occasionally fail. New stations, like any new business, face particular risks. What seems to be a good radio idea at one point, even with smart and resourceful operators, is at the mercy of the market. It happens. The good news for radio fans is that an idea was given a chance.
Radio Page week ending April 1, 2016
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Radio Page week ending March 25, 2016
radio in Austria, digital radio, KommAustria, DAB+, ORF, Kronehit, Radio Arabella, European Digital Radio alliance, EBU, online radio, streaming audio, Spotify, Echo Nest, Gramma Music
Radio Page week ending March 18, 2016
radio in the UK, BBC Radio, Helen Boaden, RadioDays Europe, digital radio DAB+, radio in Germany, smartphones, EBU
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Radio Page week ending March 4, 2016
radio in Austria, new media, ORF, FM4
Recently added radio audience figures and resources
- Germany - Radio Audience (March 2016)
leading stations, audience trend, daily reach
- Sweden - Major Media - Radio Broadcasting (February 2016)
public and private radio channels, owners, management, national market share trend
- UK - National Radio Audience (February 2016)
market share, trend, sectors
- UK - London Radio Audience (February 2016)
market share, trend
- UK - National Radio Audience (February 2016)
BBC/commercial 'gap'
- France - Greater Paris Radio Audience (January 2016)
national and local channels, market share, trend
- France - National Radio Audience (January 2016)
national channels, sectors, market share, reach/TSL
- Switzerland - Radio listening by region (January 2016)
public and private sectors, penetration, time spent listening
- Switzerland - French region Radio Audience (January 2016)
share, trend
- Switzerland - Swiss-German region Radio Audience (January 2016)
share, trend
- Switzerland - Italian region Radio Audience (January 2016)
share, trend
- Poland - Major Media - Radio Broadcasting (January 2016)
public and private radio channels, owners, management, platforms, market share
- Estonia - Major Media - Radio Broadcasting (December 2015)
public and private broadcasting companies, channels, management, platforms, audience estimates
- Spain - Major Media - Radio Broadcasting (December 2015)
public and private broadcasting companies, channels, management, platforms, audience estimates
- Ireland - Major Media - Radio Broadcasting (November 2015)
national public and commercial radio channels, major local/regional stations, management, listening share
- Finland - Major Media - Radio Broadcasting (September 2015)
public and private radio channels, management, market share, platforms
- France - National Radio Summer Audience (September 2015)
national channels, summer period 2010-2015 trend
- Ireland - National Radio Audience (August 2015)
market share, 07h00-19h00, trend
- Ireland - Dublin Radio Audience (August 2015)
market share, 07h00-19h00, trend
- Spain - National Radio Audience (July 2015)
national channels, reach share, trend
- Greece - Major Media - Radio Broadcasting (June 2015))
public and private broadcasting, owners, executives, market share
Also see ftm Knowledge
Europe's Radio - Southern Europe
Radio broadcasting in southern Europe ranges from highly developed to developing highly. Italian, Spanish and Portuguese radio is unique, creative and very popular. Radio in Croatia, Serbia and Greece has had ups and downs. The ftm Knowledge file includes Resources. 126 pages PDF (June 2015)
Europe's Radio - Western Europe
Opportunity meets tradition in Western Europe's radio broadcasting. Change has come fast and yet oh, so slowly. This ftm Knowledge file contains material and resources on public and private radio broadcasting in Austria, Belgium, France, Germany, Liechtenstein, Netherlands and Switzerland. 244 pages. Resources. PDF (September 2013)
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Eastern Europe’s radio writes new rules. In fact, most everything about radio in this region is new... and changes often. The ftm Knowledge file reports on Belarus, Bulgaria, Czech Republic, Hungary, Moldova, Poland, Romania, Russia, Slovakia and Ukraine. 159 pages PDF (April 2013)
Europe’s Radio – Northern Europe
Northern Europe’s radio has a very digital sound. And change is in the air. Economic challenges abound for both public and commercial broadcasters. The ftm Knowledge file reports on Denmark, Estonia, Finland, Iceland, Ireland, Latvia, Lithuania, Norway, Sweden and the UK. 144 pages PDF includes Resources (November 2012)
Digital Radio - Possibilities and Probabilities
Digital radio has many platforms. From broadcast platforms to internet radio and rapidly emerging smartphone platforms, listeners and broadcasters have choices galore and decisions to make. Some regulators have made up their minds, others not, some hedging their bets. This ftm Knowledge file details the possibilities for digital broadcasting and the probabilities for success. Includes Resources 149 pages PDF (August 2012)
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The Six Radio Brands is about the uniquely European development of radio brands. Competition among broadcasters - and certainly between the public and commercial sectors - gives radio in Europe a rich dynamic. As consumers become more media-literate and demand more attachment broadcasters find target markets illusive.
Regulators, advertisers and broadcasters take turns trying to influence radio brands. Culture and technology makes an impact. More and more, the greatest influence comes from consumers.
The Six Radio Brands describes advantages and pit-falls of brand strategies, with illustrations from current radio practice.
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