ftm Radio Page - March 18, 2011
What adds measurably to the media landscape is a diversity of voices. Sometimes that’s accomplished by policies opening access to the media space. Sometimes it’s accomplished by balancing public and private media. All the time it’s to “enrich man’s spirit.”
Broadcasters ask for music quota relief
“contributes to radio listening declines”
Representatives of major French broadcasters visited regulator CSA (March 16) raising the old music quota issue, reports Les Echos (March 17). French broadcasters have had strict 40% quotas for French language music and 20% new music production since 1996. The rules were relaxed somewhat in 2000 to consider music formats separately. The CSA monitors music content and, occasionally, fines offending broadcasters. (See more on media in France here)
The broadcasters are asking the CSA to consider French artists who perform in English as French content. They also want the new music production quota dropped. “The effect of standardizing the musical offering contributes to the decline of radio listening,” said RTL’s Jerome Fouqueray. (JMH)
Talk radio on acid
Where’s Owsley, The Toad?
Scandinavian broadcaster Modern Times Group (MTG) is launching a new talk radio station in Sweden, reports Dagensmedia (March 14). The station will take over the Star FM frequency in Stockholm.
“We’ll talk about things that are timely with guests and callers,” said one of the new station’s new show hosts, Robert Aschberg. “We have absolutely no standards of objectivity,” he said. It will be like “P1 on acid.” P1 is the main information channel of Swedish public broadcaster Sveriges Radio.
Swedish radio has suffered in recent years from extreme listener boredom. MTG is considered the Clear Channel of Scandinavia, in reference to the US-based low-content broadcaster. (read: “Cheap Channel”) Aschberg, a former communist, was famously expelled from the high school in the US for refusing to cut his hair.
Coincidentally, Owsley Stanley, considered the prodigious chemist to the stars in the 1960’s, reportedly died in an automobile accident (March 13) in Australia. We’re not sure what happened to The Toad. (JMH)
Recently added radio audience figures and resources
- Denmark - Major Media - Radio Broadcasting (24/02/2011)
public and private radio channels, market share
- UK - National Radio Audience (03/02/2011)
market share, trend, sectors
- UK - London Radio Audience (03/02/2011)
market share, trend
- UK - National Radio Audience (03/02/2011)
BBC/commercial 'gap'
- France - Paris Radio Audience (26/01/2011)
national and local channels, market share, trend
- Switzerland - French region Radio Audience (22/01/2011)
share, trend
- Switzerland - Swiss-German region Radio Audience (22/01/2011)
share, trend
- Switzerland - Italian region Radio Audience (22/01/2011)
share, trend
- France - National Radio Audience (18/01/2011)
national channels, sectors, market share, reach/TSL
- Spain - National Radio Audience (04/12/2010)
national channels, reach share, trend
- Italy - Major Media (05/11/2010)
radio broadcasting
- Italy - National Radio Audience (updated 03/11/2010)
market share trend, annual, 2006-2009
- Portugal - National Radio Audience (28/10/2010)
leading stations, audience share, trend
- Croatia - Radio Audience (07/10/2010)
national survey, 2010 Q1 and Q3
- France - National Radio Audience (01/10/2010)
national channels, summer period 2008-2010 trend
- Malta - Radio Audience (17/09/2010)
leading stations, audience share
- Czech Republic - Radio Audience (19/08/2010)
Top stations, national survey, trend
- Digital broadcasting associations (12/08/2010)
- Poland - National Radio Audience (29/07/2010)
national survey, market share, trend
- Germany - Radio Audience (14/07/2010)
leading stations, 2010 national survey, daily reach
- Belgium - Radio Audience (01/07/2010)
Flemish region, market share, trend
- Belgium - Radio Audience (01/07/2010)
French region, market share, trend
- Belgium - Major Media (16/06/2010)
Flemish region, radio broadcasters, public, private
Also see ftm Knowledge
Europe’s Radio – Northern Europe – new
Northern Europe’s radio has a very digital sound. And change is in the air. Economic challenges abound for both public and commercial broadcasters. The ftm Knowledge file reports on Denmark, Estonia, Finland, Iceland, Ireland, Latvia, Lithuania, Norway, Sweden and the UK. 101 pages PDF includes Resources (February 2011)
Europe's Radio - Southern Europe
Radio broadcasting in southern Europe ranges from highly developed to developing highly. Italian, Spanish and Portuguese radio is unique, creative and very popular. Radio in Croatia, Serbia and Greece has had ups and downs. The ftm Knowledge file includes Resources. 48 pages PDF (November 2010)
Digital Radio - Possibilities and Probabilities
Digital radio has many platforms. From broadcast platforms to internet radio and rapidly emerging smartphone platforms, listeners and broadcasters have choices galore and decisions to make. Some regulators have made up their minds, others not, some hedging their bets. This ftm Knowledge file details the possibilities for digital broadcasting and the probabilities for success. Includes Resources 110 pages PDF (August 2010)
Europe's Radio - Western Europe
Opportunity meets tradition in Western Europe's radio broadcasting. Change has come fast and yet oh, so slowly. This ftm Knowledge file contains material and resources on public and private radio broadcasting in Austria, Belgium, France, Germany, Netherlands and Switzerland. 107 pages. PDF (June 2010)
Europe’s Radio – Eastern Europe
Eastern Europe’s radio writes new rules. In fact, most everything about radio in this region is new... and changes often. The ftm Knowledge file reports on Belarus, Bulgaria, Czech Republic, Hungary, Moldova, Poland, Ukraine, Romania, Russia and Slovakia. 65 pages PDF (February 2010)
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The Six Radio Brands is about the uniquely European development of radio brands. Competition among broadcasters - and certainly between the public and commercial sectors - gives radio in Europe a rich dynamic. As consumers become more media-literate and demand more attachment broadcasters find target markets illusive.
Regulators, advertisers and broadcasters take turns trying to influence radio brands. Culture and technology makes an impact. More and more, the greatest influence comes from consumers.
The Six Radio Brands describes advantages and pit-falls of brand strategies, with illustrations from current radio practice.
100 pages. 2004
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