ftm Radio Page - week ending November 2, 2018
Radio drama is on the chopping black in Denmark as the government looks for further reductions at public broadcaster DR. Earlier DR announced severe job cuts and the closing of three digital radio channels in the 20% budget reduction demanded in a media agreement between the Culture Ministry and the right-wing populist Danish People’s Party (Dansk Folkeparti - DF). The previous media agreement required 30 hours of radio drama produced annually. Danmarks Radio, now known as DR Radio, has offered radio drama since 1925.
“It's going to make a significant difference to the listeners who like DR radio drama, for they will get less,” said DR radio director Gustav Lützhøft, quoted by Politiken (October 29). “And for those who have been producing, there is also less to produce. This due to the politically reality we find ourselves in.” (See more about media in Denmark here)
Radio drama will no longer be internally produced but commissioned, largely, from outside podcast producers. “The genre is not dead and it has not disappeared from DR,” he added. “We must at least have two major productions per year.”
Many radio broadcasters - public and privately-owned - are seeing new demand growth for speech-based programming. And it is not only news and public affairs content. Then, too, distribution by podcast is surging. As DR was an early adopter of digital radio distribution through the DAB platform, it has now adopted podcasts.
At the end of August, the Poland’s National Media Council (Rady Mediów Narodowych) terminated the employment of Polskie Radio president Jacek Sobala. Earlier in the month, he had been suspended without duties. Two weeks later he was formally fired for "breach of corporate governance and principle of collegiality in the work of the company's bodies,” said the Polskie Radio management board statement, reported Onet.pl (August 28). Extensively reported at that time, the firing was due to a “conflict” with Anny Czabańskiej, deputy director of Polskie Radio and wife of National Media Council president Krzysztof Czabański.
All of this is tied, unceremoniously, to the rule of Poland’s Law and Justice (PiS) party and its relentless pursuit of a nationalist and uncritical media. “Public media is only political prey… and prey,” wrote Tomasz Wybranowski in a open letter to the National Media council, quoted by media news portal wirtualnemedia.pl (October 23). “This merry-go-round causes the listeners, the body who also pays for Polish Radio, to lose most.” Mr. Wybranowski had been a finalist in consideration for the Polskie Radio presidency in 2017, in which Mr. Sobala was selected. (See more about media in Poland here)
“The channels of Polish radio are losing their listeners and nobody wonders why this happens,” he continued. “Since 1989, teams managing public radio are displaced every four years, depending on which group won parliamentary elections. The results of the Polish Radio Track (audience estimates) – let's say it sincerely – they are lousy, miserable and weak compared to the strengths that the public radio has. Maybe the time has come, finally, to entrust the reins of Polish radio to the specialists, those who know and love the radio?” Mr. Wybranowski had been, until January 2016, director of overseas broadcasting for Polskie Radio.
Much - if not all - of this is due to the precipitously deteriorating audience for Polskie Radio channels. In the recently released Q3 (July-September) Radio Track from Kantar Millward Brown full-service contemporary music channel Jedynka Radio dropped to 6.7% audience share in the national estimates, “the lowest result in the history of broadcasting,” said wirtualnemedia.pl (October 29). Alternative music channel Trojka Radio also fell; 5.7% audience share - “one of the worst outcomes ever.” Privately-owned RMF FM rose to 26.0% audience share. (See Poland national radio audience estimates trend chart here)
Radio Page week ending October 26, 2018
radio in the UK, radio audience, RAJAR, BBC Radio, public broadcasting, commercial radio, Radio 2, Radio 4, Magic, LBC, Heart, Classic FM, digital radio, digital transition
Radio Page week ending October 19, 2018
radio in Norway, digital transition, digital radio, Norwegian Media Authority, Metro Radio, radio in Belgium, CIM, radio audience, summer listening, Nostalgie, Bel RTL, Vivecité, RTBF, Radio 2, MNM, VRT, QMusic, Joe FM
Radio Page week ending October 12, 2018
radio in Greece, audience measurement, AEMAP, Focus Bari
Radio Page week ending October 5, 2018
radio in France, Radio France, public broadcasting, advertising
Radio Page week ending September 28, 2018
radio in Poland, radio license, KRRiT, Radio WNET, Eurozet Group
Radio Page week ending September 21, 2018
radio in Denmark, Danmarks Radio, DR, digital radio, P6 Beat, P7 Mix, P8 Jazz, podcasts, radio in Germany, digital radio, Vaunet, DAB, online audio, radio in Norway, FM
Radio Page week ending September 14, 2018
radio in Lithuania, music quotas, M-1
Recently added radio audience figures and resources
- Poland - National Radio Audience (October 2018)
national survey, market share, trend
- UK - National Radio Audience (October 2018)
market share, trend, sectors
- UK - London Radio Audience (October 2018)
market share, trend
- UK - National Radio Audience (October 2018)
BBC/commercial 'gap'
- Belgium - Flemish region, Radio Audience (October 2018)
market share, Sept 2017-August 2018 trend
- Belgium - French region, Radio Audience (October 2018)
market share, Sept 2017-August 2018 trend
- France - National Radio Summer Audience (September 2018)
national channels, summer period 2013-2018 trend
- France - Greater Paris Radio Audience (July 2018)
national and local channels, market share, trend
- France - National Radio Audience (July 2018)
national channels, sectors, market share, reach/TSL
- Netherlands - Radio Audience (May 2018)
national survey, market share, trend
- Switzerland - Radio listening by region (Jaunary 2018)
public and private sectors, penetration, time spent listening
- Switzerland - French region Radio Audience (January 2018)
share, trend
- Switzerland - Swiss-German region Radio Audience (January 2018)
share, trend
- Switzerland - Italian region Radio Audience (January 2018)
share, trend
- Spain - National Radio Audience (released November 2017)
national channels, reach share, trend
- Czech Republic - Radio Audience (November 2017)
Top stations, national survey, reach trend
- Turkey - Major Media - Radio Broadcasting (October 2017)
ownership, management, program formats, platforms, audience estimates
- Portugal - National Radio Audience (May 2017)
leading stations, audience share, trend
- Germany - Radio Audience (March 2017)
leading stations, audience trend, daily reach
- Romania - Radio Audience (January 2017)
national and Bucharest surveys, market share, trend
- Italy - Major Media - Radio Broadcasting (July 2016)
public and private broadcasting companies, channels, audience reach/share, management
- Spain - National Radio Audience (April 2016)
national channels, reach share, trend
- Sweden - Major Media - Radio Broadcasting (February 2016)
public and private radio channels, owners, management, national market share trend
- Poland - Major Media - Radio Broadcasting (January 2016)
public and private radio channels, owners, management, platforms, market share
- Estonia - Major Media - Radio Broadcasting (December 2015)
public and private broadcasting companies, channels, management, platforms, audience estimates
- Spain - Major Media - Radio Broadcasting (December 2015)
public and private broadcasting companies, channels, management, platforms, audience estimates
- Ireland - Major Media - Radio Broadcasting (November 2015)
national public and commercial radio channels, major local/regional stations, management, listening share
- Finland - Major Media - Radio Broadcasting (September 2015)
public and private radio channels, management, market share, platforms
- Ireland - National Radio Audience (August 2015)
market share, 07h00-19h00, trend
- Ireland - Dublin Radio Audience (August 2015)
market share, 07h00-19h00, trend
- Greece - Major Media - Radio Broadcasting (June 2015))
public and private broadcasting, owners, executives, market share
Also see ftm Knowledge
Europe's Radio - Southern Europe
Radio broadcasting in southern Europe ranges from highly developed to developing highly. Italian, Spanish and Portuguese radio is unique, creative and very popular. Radio in Croatia, Serbia and Greece has had ups and downs. The ftm Knowledge file includes Resources. 126 pages PDF (June 2015)
Europe's Radio - Western Europe
Opportunity meets tradition in Western Europe's radio broadcasting. Change has come fast and yet oh, so slowly. This ftm Knowledge file contains material and resources on public and private radio broadcasting in Austria, Belgium, France, Germany, Liechtenstein, Netherlands and Switzerland. 244 pages. Resources. PDF (September 2013)
Europe’s Radio – Eastern Europe
Eastern Europe’s radio writes new rules. In fact, most everything about radio in this region is new... and changes often. The ftm Knowledge file reports on Belarus, Bulgaria, Czech Republic, Hungary, Moldova, Poland, Romania, Russia, Slovakia and Ukraine. 159 pages PDF (April 2013)
Europe’s Radio – Northern Europe
Northern Europe’s radio has a very digital sound. And change is in the air. Economic challenges abound for both public and commercial broadcasters. The ftm Knowledge file reports on Denmark, Estonia, Finland, Iceland, Ireland, Latvia, Lithuania, Norway, Sweden and the UK. 144 pages PDF includes Resources (November 2012)
Digital Radio - Possibilities and Probabilities
Digital radio has many platforms. From broadcast platforms to internet radio and rapidly emerging smartphone platforms, listeners and broadcasters have choices galore and decisions to make. Some regulators have made up their minds, others not, some hedging their bets. This ftm Knowledge file details the possibilities for digital broadcasting and the probabilities for success. Includes Resources 149 pages PDF (August 2012)
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The Six Radio Brands is about the uniquely European development of radio brands. Competition among broadcasters - and certainly between the public and commercial sectors - gives radio in Europe a rich dynamic. As consumers become more media-literate and demand more attachment broadcasters find target markets illusive.
Regulators, advertisers and broadcasters take turns trying to influence radio brands. Culture and technology makes an impact. More and more, the greatest influence comes from consumers.
The Six Radio Brands describes advantages and pit-falls of brand strategies, with illustrations from current radio practice.
100 pages. 2004
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