ftm Radio Page - week ending February 11, 2022
Podcasts and podcasting was embraced by many several years as a new and refreshing means of listening to new and refreshing audio content. The platform, alas, has migrated from the genius of US public broadcasting’s Serial series to unlimited product placement to the depths of foul and odious. It was mistakenly hoped that ranting blowhards would keep to their place on late night AM/MW frequencies.
Brazilian podcaster known as Monark lost his slot on the Flow Studios platform, reported Folha de Sao Paulo (February 9). His podcast had been wildly popular in certain quarters for being outrageous, an attribute many podcasters currently aspire. Flow Studios shut Monark down for “defending the right of a Nazi party to exist in Brazil.” That thought may have appealed to a set of people - including a couple of right-wing politicians - but sponsors fled. Hence, Monark got the boot. (See more about podcasts and podcasting here)
Monark apologized a day later, saying he was drunk. A day after that Brazilian president Jair Bolsonaro, well-known for liberally applying hate speech, “repudiated” references to Nazi ideology. “Brazil will never have fertile soil for totalitarianism because the love of freedom runs through our veins,” posted on social media. “Anyone who wants otherwise is on the wrong side.”
US streaming audio platform Spotify has a similar problem. Several legendary musicians organized removal of their music from the platform, complaining vociferously about ranting racist right-wing podcaster Joe Rogan appearing on the same stage, so to speak. Spotify founder and chief executive Daniel Ek has bent himself into a pretzel defending Mr. Rogan’s freedom of speech. Spotify contracted with Mr. Rogan for his services (i.e. employed) for, reportedly, US$100 million. The payoff for Spotify has been about 11 million subscribers, not to forget the attention from outraged fans and equally outraged detractors.
In a viral internal “townhall” meeting, Mr. Ek “emphasized the need for (Mr.) Rogan,” noted observer Ashley Carmen in technology news portal The Verge (February 8). “Ek then directly related Rogan to Spotify’s ‘mission’ to reach 1 billion users and bring 50 million creators to its platform. Spotify might think its growth idea is empowering — and maybe it is for the employees who prize their stock options above all — but I think this rhetoric will lead to talent loss across the organization.”
Radio thrives on its mystique presence. For over a hundred years listeners have been enthralled by the voices emanating from thin air. There’s magic. There’s mystery. Where that all takes place, the radio studios, give the impression of a special universe. For some people, sadly, it is more than they can take.
Armed gunmen attacked Radio Capital FM in Bissau, capital of Guinea-Bissau, on Monday morning (February 7). According to various reports, several uniformed individuals arrived at the station’s building in two vehicles, entered firing shots, beat three to five employees and ransacked the studios. The transmitter was destroyed. Then they left as local police arrived. (See more about media in Africa here)
The attack is believed to have been “an isolated act,” said deputy police commissioner Salvador Soares, quoted by Portuguese public broadcaster RTP (February 8), unrelated last weeks’ attempted coup d’état in the West African country, as some observers suspected. Radio Capital FM is considered the most listened to station in the country. The station is affiliated with US international broadcaster Voice of America (VOA) and carries news bulletins from its Portuguese service. Station founder Lassana Cassamá is a VOA Portuguese reporter.
It was the second similar attack on privately owned Radio Capital FM in the last two years. In July 2020 there was a similar incident; a group of men entered the building, destroyed equipment and left. Thirty Bissau radio stations held a “day of silence” to show “our displeasure with what is happening in the sector,” said Guinea-Bissau broadcast union secretary general Diamantino Domingos Lopes, quoted by VOA Portuguese (August 7, 2020). A month earlier reporter and show host Serifo Camara was beaten and robbed outside the station’s premises. In March 2021 reporter Adão Ramalho was beaten in an attempted abduction.
Portugal’s Media Capital exited its radio broadcasting assets this past week (February 3). The new owner, subject to the requisite approvals, will be Bauer Media, the very big German media house with substantial assets in radio broadcasting. Officially, Media Capital Radios, wholly-owned subsidiary of Media Capital Global, will be acquired by Bauer Media Audio Holding GmbH for a consideration of €69.9 million, though that number might change for last minute adjustments. Negotiations were first announced last September.
Media Capital Radios assets include Rádio Comercial, Smooth FM, Vodafone FM, M80 and Cidade FM. There are others. Media Capital wants to use the cash to "accelerate the development of audiovisual and digital production areas,” noted Portuguese news agency SAPO (February 3). Media Capital is principally owned by Mário Ferreira, who also owns cruise operator Douro Azul. Prisa exited its majority holding in the company in 2020. Media Capital continues to own and operate television channel TVI. (See more about media in Portugal here)
Bauer Group, thus, enters the Portuguese market bringing to nine the number of European radio markets, mostly located in northern Europe and Scandinavia. That stable includes the Absolute Radio brands and several others in the UK plus top rated RFM FM in Poland, The Voice in Denmark, Mix Megapol in Sweden and Radio Norge in Norway. Assets in Finland (broadcaster Mediatakojat), Ireland (Communicorp Group) and Slovakia (Rádio Jemné and Europa 2) were acquired last year. Bauer Media is also known for pop-up DAB+ stations.
Pop/rock national channel Radio Comercial is the most important radio asset in the Media Capital folder. Cidade FM, also targeting young people, is available across Portugal. M80 Radio was created in 2007 as a spin-off of the Spanish M80, which Prisa owns.
Radio Page week ending February 4, 2022
radio in the UK, RAJAR, radio audience, BBC, radio in the Russian Federation, Ekho Moskvy, radio in France, Médiamétrie, radio audience, Greater Paris, local radio, Oui FM, Voltage
Radio Page week ending January 28, 2022
radio in Italy, social media, Social Radio Lab, Radio Deejay, radio in Poland, audience measurement, Kantar Radio Track, Polskie Radio, music quotas
Radio Page week ending January 21, 2022
radio in Germany, Vaunet, ARD, streaming media, podcasts, Deezer, radio in France, Médiamétrie, radio audience, national reach, Radio France, France Inter, France Info, France Bleu, RMC, Europe 1, NRJ, Nostalgie, FIP, coronavirus
Radio Page week ending January 14, 2022
radio in Hungary, Sportradio, A Rock, consolidation, radio in France, elections and media, FranceInfo, news radio, journalism, radio in Sweden, NENT Group, Lugan Favoriter, Bauer Media, podcasts
Radio Page week ending January 7, 2022
radio in the UK, radio advertising, ad spending, radio in Africa, radio in Democratic Republic of Congo, Radio de la femme, Women's Radio
Radio Page week ending December 17, 2021
radio in Germany, shortwave radio, NDR, Gruss an Bord
Radio Page week ending December 10, 2021
radio in Switzerland, digital radio, FM shutoff, mobile media, radio in Poland, audience measurement, Radio Track, Polskie Radio
Radio Page week ending December 3, 2021
radio in Germany, online audio, MA Audio, streaming audio, radio in Hungary, radio license, Klubradio, European Commission, Media Council
Radio Page week ending November 26, 2021
radio in Kazakhstan, media in Central Asia, Qazag Radiosy, media in the US, Edison Research, NPR, Spoken Word Audio Report, spoken word, podcasts, mobile media, radio audience
Radio Page week ending November 19, 2021
radio in France, Médiamétrie, radio audience, coronavirus, Radio France, France Inter, France Info, France Bleu, RTL, Europe 1, radio in Spain, Cadena SER, investigative reporters, Prisa Group, Vivendi
Radio Page week ending November 12, 2021
radio in Germany, comedy, Radio Badesalz, radio in the UK, BBC Radio 2, holiday charity, Kitchen Disco, podcasts, podcasting, market segments, lifestyle, PWC, Kantar
Radio Page week ending November 5, 2021
Radio in Sweden, Radio Disney, Bauer Media, Walt Disney Company, radio in Germany, radio in Poland, MDR, Radio Wroclaw
Radio Page week ending October 29, 2021
radio audience, RAJAR, measurement, BBC, radio in Norway, radio in the UK, digital radio, FM shut-off, radio in Denmark, Radio Loud, Culture Ministry, Radio24syv
Radio Page week ending October 22, 2021
radio in Palestine, online radio, community radio, Radio Alhara, radio in the US, Chicago Public Media, WBEZ, podcasts, Chicago Sun-Times, mergers and acquisitions, paywalls, radio in France, Radioplayer France
Radio Page week ending October 15, 2021
New York Times Company, podcasts, podcasting, radio in France, DAB+, AirZen, digital radio, European Commission, Digital Markets Act, European Broadcasting Union, EBU, Association of European Radios, AER, Alexa, Siri, smart speakers
Radio Page week ending October 8, 2021
radio in Australia, radio audience, audience measurement, coronavirus, news radio, talk radio, ABC, Sweden, podcasts, podcasting, Bauer Media, PodPlay, Schibsted, NENT
Radio Page week ending October 1, 2021
radio in Zimbabwe, radio in Africa, community radio, UNESCO, radio in Denmark, Radio Loud, DAB+, digital radio, mobile media, radio in Australia, Nova
Radio Page week ending September 24, 2021
radio in the UK, Classic FM, classical music, Nigel Kennedy, radio in France, Mediametrie, radio audience, France Inter, France Bleu, Nostalgie
Radio Page week ending September 17, 2021
radio in Ireland, Freedom FM, pirate radio, Broadcasting Authority of Ireland, radio in Afghanistan, Milma Radio, radio in France, Europe 1, CSA, elections and media
Radio Page week ending September 10, 2021
radio in Germany, German Radio Prize, Radio Wuppertal
Radio Page week ending August 6, 2021
radio the UK, Radio Caroline, Ofcom, radio license, sports radio, baseball, KDKA, MTV
Radio Page week ending July 30, 2021
radio in Austria, RadioTest, ORF, KroneHit, Radio 88.6, audience measurement, radio in France, Mediametrie, radio audience, greater Paris radio, FIP, coronavirus
Radio Page week ending July 23, 2021
radio in New Zealand, GfK, RNZ National, Newstalk ZB, The Breeze, radio in Germany, Vaunet, FM radio, coronavirus, radio audience
Radio Page week ending July 16, 2021
radio in France, Médiamétrie, radio audience, national reach, RTL, Radio France, France Inter, France Info, RMC, Europe 1, NRJ, Nostalgie, RFM, radio in Spain, EGM, AIMC, Cadena SER, Grupo Prisa, Cadena Cope, Onda Cero, RNE, esRadio, Los 40 Principales, Atresmedia, show hosts, coronavirus
Radio Page week ending July 9, 2021
radio in France, Europe 1, CNews, Vivendi, Lagardere Group, radio in Switzerland, mergers and acquisitions, BNJ Suisse, SSR-SRG, Radio Swiss Pop
Radio Page week ending July 2, 2021
radio in Hong Kong, RTHK, censorship, radio in Germany, Antenne Bayern, Antenne NRW, LfM, radio license
Recently added radio audience figures and resources
- France - Greater Paris Radio Audience (January 2022)
national and local channels, market share, trend
- France - National Radio Audience (November-December 2021, published January 2022)
national channels, sectors, market share, reach/TSL
- France - National Radio Summer Audience (September 2021)
national channels, summer period 2016-2021 trend
- Spain - National Radio Audience (July 2021)
national and regional channels, reach share, trend
- Romania - Radio Audience (May 2021)
national and Bucharest surveys, market share, trend
- Belgium - Flemish region, Radio Audience (April 2021)
market share, Jan-Apr 2019 to Sep 2020-Feb 2021 trend
- Belgium - French region, Radio Audience (April 2021)
market share, Jan-Apr 2019 to Sep 2020-Feb 2021 trend
- France - Greater Paris Radio Audience (April 2021)
national and local channels, market share, trend
- Austria - Major Media - Radio Broadcasting (February 2021)
public and private broadcasters, owners, management, audience trend
Also see ftm Knowledge
Europe's Radio - Southern Europe
Radio broadcasting in southern Europe ranges from highly developed to developing highly. Italian, Spanish and Portuguese radio is unique, creative and very popular. Radio in Croatia, Serbia and Greece has had ups and downs. The ftm Knowledge file includes Resources. 126 pages PDF (June 2015)
Europe's Radio - Western Europe
Opportunity meets tradition in Western Europe's radio broadcasting. Change has come fast and yet oh, so slowly. This ftm Knowledge file contains material and resources on public and private radio broadcasting in Austria, Belgium, France, Germany, Liechtenstein, Netherlands and Switzerland. 244 pages. Resources. PDF (September 2013)
Europe’s Radio – Eastern Europe
Eastern Europe’s radio writes new rules. In fact, most everything about radio in this region is new... and changes often. The ftm Knowledge file reports on Belarus, Bulgaria, Czech Republic, Hungary, Moldova, Poland, Romania, Russia, Slovakia and Ukraine. 159 pages PDF (April 2013)
Europe’s Radio – Northern Europe
Northern Europe’s radio has a very digital sound. And change is in the air. Economic challenges abound for both public and commercial broadcasters. The ftm Knowledge file reports on Denmark, Estonia, Finland, Iceland, Ireland, Latvia, Lithuania, Norway, Sweden and the UK. 144 pages PDF includes Resources (November 2012)
Digital Radio - Possibilities and Probabilities
Digital radio has many platforms. From broadcast platforms to internet radio and rapidly emerging smartphone platforms, listeners and broadcasters have choices galore and decisions to make. Some regulators have made up their minds, others not, some hedging their bets. This ftm Knowledge file details the possibilities for digital broadcasting and the probabilities for success. Includes Resources 149 pages PDF (August 2012)
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The Six Radio Brands is about the uniquely European development of radio brands. Competition among broadcasters - and certainly between the public and commercial sectors - gives radio in Europe a rich dynamic. As consumers become more media-literate and demand more attachment broadcasters find target markets illusive.
Regulators, advertisers and broadcasters take turns trying to influence radio brands. Culture and technology makes an impact. More and more, the greatest influence comes from consumers.
The Six Radio Brands describes advantages and pit-falls of brand strategies, with illustrations from current radio practice.
100 pages. 2004
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