ftm Radio Page - week ending November 15, 2019
Ireland’s public broadcaster RTE announced (November 7) its decision to shutter several DAB-only channels and the national DAB multiplex it operates. There was an audible gasp, figuratively, from DAB (digital audio broadcasting) supporters this past week. RTE cited in need for cost savings.
Indeed, the reductions announced are deep, €60 million over the next three years. In addition to exiting DAB-only channels RTE jr, RTE Pulse, RTE 2XM, RTE Radio 1 Extra, RTE Gold and the national multiplex, 200 staff members will go, the Limerick studio will close and the executive board fees will be cut 10%. The RTE National Symphony Orchestra will be transferred to the National Concert Hall. (See more about digital radio here)
“The challenges before us are real,” said RTE Director-General Dee Forbes, quoted by Irish radio news portal radiotoday.ie (November 7). “But RTÉ does have a plan, which we are confident can address many of the challenges we face and bring Ireland’s national public broadcaster to stability.” That means, she explained, getting Ireland’s government on-board with an overhaul of the household license fee.
Immediately, Radio Nova chief executive Kevin Branigan made noises about “taking over” the RTE financed national DAB multiplex, Ireland Mux1. Radio Nova is licensed to serve the greater Dublin commuter belt, distributed on the FM platform. The rock music station is principally owned by Bay Broadcasting and Vienna Investments. It was issued a 10-year broadcasting license in 2010, meaning it expires next year.
Media regulator Broadcasting Authority of Ireland (BAI) and telecom regulator Commission for Communications Regulation (ComReg) have not embraced an FM switch-off policy or, arguably, licensing a second DAB multiplex beyond a temporary Dublin-area installation.
Around this time of year radio programmers in many parts of the year wrestle with a weighty question. Knowing that their managers will demand justifications, more often than not they turn to audience research. What they need to decide is when to begin playing Christmas music and, then, when to stop.
Thankfully, Austrian daily Kleine Zeitung reporters Michael Sommer and Daniel Hadler have provided (November 8) some answers. Perusing the vast data capture of streaming service Spotify, they discovered a range of good starting and stopping dates. Depending on country, some broadcasters should have already started, many to follow over the next two weeks.
To reach the conclusions, the Christmas music loving Austrians tracked, fair enough, the download popularity of Mariah Carey’s “All I Want For Christmas Is You,” voted THE most downloaded Christmas song ever, anywhere. Actually, Wham’s “Last Christmas” is probably a favorite of music radio programmers but, said the authors, its popularity has waned in recent years.
So, Christmas music fans in Iceland and Denmark have the earliest interest in the Holiday tunes, almost as soon as November arrives. Canadians follow closely, then Americans. Notably, all the Christmas music fans in these countries want the theme to change, so to speak, the day after Christmas.
In almost all the rest of European countries, interest in hearing those Christmas favorites arrives by December 1st. They are joined by folks in Japan, Australia, New Zealand, Malaysia, Singapore and Vietnam. Notably, people in Spain wait on Christmas music until the middle of December. In Thailand, Mexico, El Salvador, Indonesia, Ecuador and Costa Rica Christmas music is popular just on Christmas Day and not one day longer.
Obviously, geography seems to affect interest in Christmas music; people in snow belt countries generally need that blast of Christmas music as soon as the snow falls, or threatens. In the tropics, it’s just another day at the beach. For reason yet to be explored, Belgians like their Christmas music favorites well into January.
Another clue from the Spotify data: the older the Christmas favorite, the better. Perhaps, it's the spirit of the times.
Another tiny community radio station closes. Its purpose was to share critical information where no other voices get through. And that’s the reason it’s no longer on the air; those voices were heard and certain people didn’t like it.
Lwemba Community Radio in the Democratic Republic of Congo (DRC) closed its service this week (November 11), citing continuing threats. A bit more than a week ago (November 2) program host Papy Mahamba was murdered, his wife injured and his house burned down. Shortly before the incident, he had finished a call-in show in which listeners could ask questions about the Ebola virus pandemic.
Several radio stations have curtailed service in the eastern DRC Mambasa territory in recent weeks, reported AFP (November 11). There is “hostility” in certain remote regions to medical efforts to fight Ebola, some viewing the virus as a hoax, resisting prevention measures and vaccinations, even safe burial measures. In the long list of frightening medical emergencies at large, the presence of the Ebola virus in Africa has been catastrophic. (See more about media in Africa here)
“The killing of a community radio journalist because of his commitment to providing public service information on a deadly disease is a tragic illustration of the cost to society that violence against the media represents,” said UNESCO Director General Audrey Azoulay. The murder coincided with the UN recognized International Day to End Impunity for Crimes Against Journalists. The “militias” attacked Papy Mahamba with machetes; two persons have been detained, reported the DRC Health Ministry and the UN, in a joint statement, quoted by mediacongo.net (November 8).
"We can not stress enough the vital role played by community radios in informing communities and in the fight against Ebola,” said UN Emergency Ebola Response Coordinator David Grassley, announcing the opening of Radio Okapi in Butembo two days after the murder. “We are very pleased to have this new antenna that broadcasts in three languages: Kinande, Kiwahili and French which will help reach even more people.” The Radio Okapi network, operating in DRC for several years, devotes considerable air-time to the Ebola crisis.
“They promised to come back to kill any journalist who talks about Ebola on the radio here in Lwemba," said a Lwemba radio broadcaster, anonymously, to news portal interview.cd (November 11). "We are in hiding.”
Radio Page week ending November 8, 2019
radio in Romania, SRR, Radio Romania Actualitati, radio in Germany, radio license, radio in Hamburg, Medienanstalt Hamburg/Schleswig-Holstein, Radio Hamburg, Rock Antenne Hamburg, 917XFM, Energy Hamburg, Hamburg 2
Radio Page week ending November 1, 2019
radio in Denmark, Radio24syv, Radio Loud, Radio MTV, Viacom
Radio Page week ending October 25, 2019
radio in Australia, radio advertising, Commercial Radio Australia, radio measurement
Radio Page week ending October 18, 2019
radio in Ireland, RTE, Radio 1, 252 LW, longwave
Radio Page week ending October 11, 2019
streaming media, podcasts, Spotify, radio in Bulgaria, public broadcasting, Bulgarian National Radio, BNR, news radio, Horizont, journalism, radio in the Netherlands, streaming audio, podcasts, radio in Germany, smart speakers, digital radio
Radio Page week ending October 4, 2019
digital radio, radio in Switzerland, local radio, FM switch-off, DAB
Radio Page week ending September 27, 2019
radio in Norway, pop-up radio, Christmas Radio, Bauer Media, NRK, podcasts, podcasting, BBC StoryWorks, German Radio Prize, NPR
Radio Page week ending September 20, 2019
radio in France, Mediametrie, radio audience, summer radio listening, RTL, France Inter, France Bleu
Radio Page week ending September 13, 2019
radio in Poland, Radio Track Kantar, radio audience, RMF FM, Radio Zet, Polskie Radio, radio in Germany, digital radio, digital transition, Vaunet
Radio Page week ending September 6, 2019
radio in the UK, RAJAR, BBC Radio, public broadcasting, commercial radio, Radio 2, Radio 4, Radio 1, Five Live, Magic, LBC, Heart, Classic FM, Kisstory, Smooth, digital transition, smart speakers, radio in Italy, radio audience, RadioTER, RTL 102.5, Radio Italia Solo Musica Italiana, RAI, Radiofreccia, Virgin Radio
Radio Page week ending August 2, 2019
radio in the UK, RAJAR, BBC Radio, public broadcasting, commercial radio, Radio 2, Radio 4, Radio 1, Five Live, Magic, LBC, Heart, Classic FM, Kisstory, Smooth, digital transition, smart speakers, radio in Italy, radio audience, RadioTER, RTL 102.5, Radio Italia Solo Musica Italiana, RAI, Radiofreccia, Virgin Radio
Radio Page week ending July 26, 2019
radio in France, Paris radio audience, FIP, Mediametrie, radio audience, RTL, Radio France, France Inter, NRJ, Nostalgie, RMC, Europe 1, Lagardere
Radio Page week ending July 19, 2019
radio in the Czech Republic, RRTV, Active Radio, Radio Zet, seznam.cz, Radio Expres, Radio CAS, radio in Germany, radio audience, Media-Analyse, Radio NRW, Bayern 1, WDR 2, Antenne Bayern, SWR 3, Spotify
Radio Page week ending July 12, 2019
radio in Switzerland, Mediapulse, radio audience, public radio, SRF, RTS, RSI
Radio Page week ending July 5, 2019
radio in Spain, radio audience, EGM, Cadena SER, Cadena Cope, Los 40 Principales, Los 40 Classic, RNE
Radio Page week ending June 28, 2019
radio advertising, Cannes Lions, GenZ, radio in Germany, digital transitions, DAB+, 5G
Radio Page week ending June 21, 2019
radio in Poland, Eurozet, Agora Group, mergers and acquisitions, radio in the Czech Republic, Radio Zet, Czech Media Invest, Lagardere Active Radio, Media Bohemia
Recently added radio audience figures and resources
- France - National Radio Audience (November 2019)
national channels, sectors, market share, reach/TSL
- UK - National Radio Audience (October 2019)
market share, trend, sectors
- UK - London Radio Audience (October 2019)
market share, trend
- UK - National Radio Audience (October 2019)
BBC/commercial 'gap'
- France - National Radio Summer Audience (September 2019)
national channels, summer period 2014-2019 trend
- Poland - National Radio Audience (September 2019)
national survey, market share, trend
- Italy - National/Regional Radio Audience (July 2019)
weekly reach, AQH trends 2017-2019
- France - Greater Paris Radio Audience (July 2019)
national and local channels, market share, trend
- Switzerland - Radio listening by region (July 2019)
public and private sectors, penetration, time spent listening
- Switzerland - French region Radio Audience (July 2019)
share, trend
- Switzerland - Swiss-German region Radio Audience (July 2019)
share, trend
- Switzerland - Italian region Radio Audience (July 2019)
share, trend
- Spain - National Radio Audience (released June 2019)
national channels, reach share, trend
- Ireland - Major Media - Radio Broadcasting (May 2019)
national public and commercial radio channels, major local/regional stations, management, listening share
- Belgium - Flemish region, Radio Audience (February 2019)
market share, Sep-Dec 2017 to Sep-Dec 2018 trend
- Belgium - French region, Radio Audience (February 2019)
market share, Sep-Dec 2017 to Sep-Dec 2018 trend
- Netherlands - Radio Audience (May 2018)
national survey, market share, trend
- Czech Republic - Radio Audience (November 2017)
Top stations, national survey, reach trend
- Turkey - Major Media - Radio Broadcasting (October 2017)
ownership, management, program formats, platforms, audience estimates
- Portugal - National Radio Audience (May 2017)
leading stations, audience share, trend
- Germany - Radio Audience (March 2017)
leading stations, audience trend, daily reach
- Romania - Radio Audience (January 2017)
national and Bucharest surveys, market share, trend
- Italy - Major Media - Radio Broadcasting (July 2016)
public and private broadcasting companies, channels, audience reach/share, management
- Spain - National Radio Audience (April 2016)
national channels, reach share, trend
- Sweden - Major Media - Radio Broadcasting (February 2016)
public and private radio channels, owners, management, national market share trend
- Poland - Major Media - Radio Broadcasting (January 2016)
public and private radio channels, owners, management, platforms, market share
- Estonia - Major Media - Radio Broadcasting (December 2015)
public and private broadcasting companies, channels, management, platforms, audience estimates
- Spain - Major Media - Radio Broadcasting (December 2015)
public and private broadcasting companies, channels, management, platforms, audience estimates
- Ireland - Major Media - Radio Broadcasting (November 2015)
national public and commercial radio channels, major local/regional stations, management, listening share
- Finland - Major Media - Radio Broadcasting (September 2015)
public and private radio channels, management, market share, platforms
- Ireland - National Radio Audience (August 2015)
market share, 07h00-19h00, trend
- Ireland - Dublin Radio Audience (August 2015)
market share, 07h00-19h00, trend
- Greece - Major Media - Radio Broadcasting (June 2015))
public and private broadcasting, owners, executives, market share
Also see ftm Knowledge
Europe's Radio - Southern Europe
Radio broadcasting in southern Europe ranges from highly developed to developing highly. Italian, Spanish and Portuguese radio is unique, creative and very popular. Radio in Croatia, Serbia and Greece has had ups and downs. The ftm Knowledge file includes Resources. 126 pages PDF (June 2015)
Europe's Radio - Western Europe
Opportunity meets tradition in Western Europe's radio broadcasting. Change has come fast and yet oh, so slowly. This ftm Knowledge file contains material and resources on public and private radio broadcasting in Austria, Belgium, France, Germany, Liechtenstein, Netherlands and Switzerland. 244 pages. Resources. PDF (September 2013)
Europe’s Radio – Eastern Europe
Eastern Europe’s radio writes new rules. In fact, most everything about radio in this region is new... and changes often. The ftm Knowledge file reports on Belarus, Bulgaria, Czech Republic, Hungary, Moldova, Poland, Romania, Russia, Slovakia and Ukraine. 159 pages PDF (April 2013)
Europe’s Radio – Northern Europe
Northern Europe’s radio has a very digital sound. And change is in the air. Economic challenges abound for both public and commercial broadcasters. The ftm Knowledge file reports on Denmark, Estonia, Finland, Iceland, Ireland, Latvia, Lithuania, Norway, Sweden and the UK. 144 pages PDF includes Resources (November 2012)
Digital Radio - Possibilities and Probabilities
Digital radio has many platforms. From broadcast platforms to internet radio and rapidly emerging smartphone platforms, listeners and broadcasters have choices galore and decisions to make. Some regulators have made up their minds, others not, some hedging their bets. This ftm Knowledge file details the possibilities for digital broadcasting and the probabilities for success. Includes Resources 149 pages PDF (August 2012)
Become an ftm Individual or Corporate Member and receive Knowledge files at no charge. JOIN HERE!
ftm Knowledge files are available to Members at no additional charge.
|
The Six Radio Brands is about the uniquely European development of radio brands. Competition among broadcasters - and certainly between the public and commercial sectors - gives radio in Europe a rich dynamic. As consumers become more media-literate and demand more attachment broadcasters find target markets illusive.
Regulators, advertisers and broadcasters take turns trying to influence radio brands. Culture and technology makes an impact. More and more, the greatest influence comes from consumers.
The Six Radio Brands describes advantages and pit-falls of brand strategies, with illustrations from current radio practice.
100 pages. 2004
Available at no charge to ftm Members, €49 for others. Email for more information
| |