Hot Topic - Eurovision Song Contest
As new media shortens the attention span of viewers and readers to 140 characters, reporters and editors are even quicker to move from one event, crisis or revelation to the next. Context is lost, some say post-modernly irrelevant. Those intent on controlling images are ever more pleased.
Systemic change offers opportunities for new thinking about a nation’s media. Wholesale upheavals, from “flower” and "color" revolutions to “springtime” protests and, even, wars, would seem to create the right conditions. And, too, the digital revolution should open the media space. Reality, though, is a laggard.
We love the Eurovision Song Contest. The production is big and it consistently draws more than one hundred million viewers. And every year there’s something a little different.
The Eurovision Song Contest may be a bit cheesy but it ain’t cheap. For public broadcasters hosting the ESC is an opportunity to step into an international spotlight and show what they can do with a high profile musical event. For those facing budget pressures, the ESC is a challenge, and increasingly so.
Reality TV – and certainly the talent contest variety – are proven popular programs with audiences worldwide. Broadcasters, originally attracted by comparatively low cost, push producers for bigger stunts. The genre has matured, something producers fight. Even in fair fights somebody gets bruised.
Relations between Ukraine and Russia are complicated. About half Ukraine’s population is, well, Ukrainian and reflexively supportive of Ukrainian language media. The rest of the country, predominantly eastern and southern Ukraine, is Russian speaking… and predisposed to watching TV channels from Russia. The broadcasting regulator wants Russian channels off the cable systems.
A nice tune performed by a Russian singer, written and produced by Americans, swept the Eurovision Song Contest voting. Commentators from countries that got few votes pulled no punches, calling the most watched single pan-European live television event doomed. The Contest’s eastward trajectory cannot be denied, nor can the phenomenon of the people’s vote.
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Fake News, Hate Speech and Propaganda – new
The institutional threat of fake news, hate speech and propaganda is testing the mettle of those who toil in news media. Those three related evils are not new, by any means, but taken together have put the truth and those reporting it on the back foot. Words matter. This ftm Knowledge file explores that light. 48 pages, PDF (March 2017)
In the media sphere nothing is more important than knowing the audience. Once in a generation a target group evolves to catch the attention of publishers and broadcasters, advertisers and media buyers, social critics and politicians. The Millennials, also known as Generation Y and digital natives, are it, with unique characteristics and behaviors. They have already reshaped everything we do. 35 pages, PDF (December 2016)
State Aid - Media Rules
National authorities have at their disposal a variety of economic measures to stimulate, develop and improve competitive market sectors. Sometimes they miss the big picture or have special circumstances. Within the European Union an executive branch of the European Commission stands ready to clarify the rules of each and every game. State Aid rules are developing as the playing field gets bigger. 35 pages, PDF (September 2016)
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